“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”
n+1’s Research Collective has posted the introduction to Ellen Willis’s No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer– “Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration.”
“Of all the work produced from this region no one observer gets the place or the people completely right,” Rob Amberg writes about his 40 years spent photographing Appalachia. His photo essay “Up the Creek” is part of The Oxford American’s “Portraying Appalachia” Symposium.
Out this week: Stay With Me by Ayobami Adebayo; Midwinter Break by Bernard MacLaverty; Caca Dolce by Chelsea Martin; The Surveyors by Mary Jo Salter; and The Red-Haired Woman by Orhan Pamuk. For more on these and other new titles, go read our most recent book preview.
I’ve recommended a couple of articles in recent weeks about the new novel by John Darnielle of The Mountain Goats. Unfortunately, as Liam O’Brien explains at the Melville House blog, it may not be a good idea to read it, especially if you’re impressionable. Why? The book contains a hidden trove of Satanic messages. (h/t The Rumpus)