“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”
Though traditionally a cultural staple, Irish poetry’s popularity has been on the decline for some time now. The best way to reignite public interest? A contest, of course, and Seamus Heaney just won. His sonnet “When all the others were away at Mass” was voted “Ireland’s best-loved poem written over the past 100 years.”
Max’s verdict in the opening round of The Morning News Tournament of Books has been posted. Which book did he pick, Gate at the Stairs or The Book of Night Women? Hop over to TMN to find out. And don’t miss the match commentary, which has some great additional discussion of both books.
“Back in the 1800s, for instance, when white women began recording their family food traditions, they took credit for their slaves’ handiwork. ‘You owned Sally, you owned her recipe,’ Toni Tipton-Martin reflected on an episode of the podcast Gravy.” At Mother Jones, read about the secret history of black chefs in America.
Robert A. Caro, who releases new installments of his Lyndon B. Johnson biography at a glacial pace, is apparently also working on another project, too. It’s “not a memoir, exactly,” he says, but it does concern “how he came to write the Johnson biography and its predecessor, The Power Broker.”
The deadline for DIAGRAM’s annual essay contest is fast approaching. Past winners include Peter Jay Shippy’s “Goonies: or Wallace Stevens’s ‘The Snowman’–an Essay in 7 Films” and (my all-time favorite) Cheyenne Nimes’s “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.”