“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”
One Darkness to Another
Pick and Choose
Tim Waterstone (of the giant UK chain Waterstones) will soon launch a new platform that publishes shorter works. (Like several other companies, it’s been dubbed “the Spotify of books.”)
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Catching the Muse, So to Speak
From Easel Orgy to Orgy in Oils, Giovanni Garcia-Fenech has rounded up dozens of sleazy paperback covers depicting artists intimately engaged in their work. (Side Note: it seems like the couple in Bride’s Dilemma is a tad overdressed.)
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O flower of warriors, beware of that trap. Choose, dear Beowulf, the better part, eternal rewards.
Listen to Seamus Heaney read his translation of Beowulf on the BBC’s website. For what it’s worth, Heaney’s version gets my vote as the best one out there. Consider this passage for some Wednesday inspiration.
The Apples Are a Gift
“This poem fosters reading again and again, because interpretation is always reaching its limits: eventually, one runs up against a secret gesture to which the only response is either to acknowledge that there is some other conscious being that could make or decipher it, or to fantasize the being that could.” A long, worthwhile review of R.F. Langley’s Complete Poems from 3:AM Magazine.
“That shit was too white.”
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)
History of Color
Over at Hyperallergic, Chris Cobb explores color photographs of racial segregation from a recently rediscovered collection by Gordon Parks.