When high fashion and the life of a working writer combine: on Jessica Francis Kane‘s New York Fashion Week debut.
NY Fashion Week and the Working Writer
Oratory Passion
The best Fourth of July speech? Frederick Douglass delivered it on July 5, 1852. Pair with a reading list for July.
An Animated Dalloway
This week marked the 90th anniversary of Mrs. Dalloway‘s publication. Over at The Paris Review, Sadie Stein posted an animated adaptation of the novel, which she describes as “either the worst or the best… depending upon how highly you value things like coherence, tone, and style.”
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Sarah Ruhl brings Elizabeth Bishop and Robert Lowell to the stage
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
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Tuesday New Release Day; Harrison; Jackson; Gioia; Barrett; Reeves; Ng
Out this week: The Ancient Minstrel by Jim Harrison; Prodigals by Greg Jackson; 99 Poems: New and Selected by Dana Gioia; Blackass by A. Igoni Barrett; Work Like Any Other by Virginia Reeves; and Slow Boat to China by Kim Chew Ng. For more on these and other new titles, go read our Great 2016 Book Preview.
Amy Tan on Being the First for Some Readers
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
Don’t Be Her
Want to be a female travel writer? That’s great, says Jessa Crispin, just please don’t be Elizabeth Gilbert.
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