When high fashion and the life of a working writer combine: on Jessica Francis Kane‘s New York Fashion Week debut.
“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.
Most of the time, when somebody insults a writer on Twitter, the insult disappears into the cyberspace ether. However, as with any rule, there are always exceptions, and one is when you trash Joyce Carol Oates and then thank her for inventing a breakfast food.
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just curious about how editors see themselves. (Update (11/12): Apparently, the literary magazine that published this content on its website had not been authorized to do so by the Council of Literary Magazines and Small Presses, which administers the listserv. The content has since been taken down; we’ve de-activated the link to reflect that.)
St. Patrick’s Day is over but there’s always cause to celebrate Irish storytellers. (Plus March is Irish-American History Month!) In this video from Open Road Media, you can listen to Edna O’Brien, Joseph Caldwell, Ken Bruen and T.J. English discuss the components of Irish storytelling that make for such good craic. Also you can check out the Poetry Foundation’s collection of St. Patrick’s Day poems for additional (belated) Irish writing.
The final PEN Literary Award Longlists are posted today! Check out all of the lists here. Longlisters include Angela Flournoy (whom we interviewed, and who has written a Year in Reading for us), Marilynne Robinson (who is known for her singular vision), Renata Adler (about whom we have made six possibly true observations), and David L. Ulin (whose Year in Reading is here).
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.