“A film based on a historical subject, even a beautifully shot one, can remind us without meaning to that although reading in the US is a minority activity, the book is still the only medium in which you can make a complicated argument.” Darryl Pinckney writes about “Some Different Ways of Looking at Selma” for the New York Review of Books. Pair with our own Bill Morris‘s Millions review of the film.
Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.
Leslie Jamison, whose collection Empathy Exams was widely praised on The Millions, has earned a two-book “mega” deal with Little, Brown. The new deal promises to deliver another essay collection entitled Ghost Essays, as well as a work of “narrative nonfiction” entitled Archive Lush. (Bonus: We interviewed Jamison for the site last May.)
Miranda July’s new project, It Chooses You, is a store based on her new book (published by McSweeney’s) of the same name. The store, at Partner’s and Spade in SoHo, is an exercise in buying belongings from New York-area Craigslist sellers and reselling the contents for the exact same price.
Great news for food lovers and over-thinkers everywhere: Gastronomica, the James Beard Award winning journal that takes a highminded approach to food and taste, recently began publishing writing online. Start with this lovely long article on the competition between Chinese and French black truffles. Or with a slightly cheeky revision of Pierre Bourdieu’s food space, if that’s more your, um, cup of tea.