We’ve written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.
Listening to Joyce
Tuesday New Release Day: Doerr; Galchen; Cunningham; Barry; Gay; D’Erasmo; Heller; Deuel
New this week: All the Light We Cannot See by Anthony Doerr; American Innovations by Rivka Galchen; The Snow Queen by Michael Cunningham; The Temporary Gentleman by Sebastian Barry; An Untamed State by Rumpus editor and Year in Reading alum Roxane Gay; Wonderland by Stacey D’Erasmo; The Painter by Peter Heller; and Friday Was the Bomb by Millions contributor Nathan Deuel.
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8Bits and Ottoman arts
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The Spy Who Wrote a Memoir
The Guardian has a beautiful multimedia feature in celebration of John le Carré‘s new memoir, The Pigeon Tunnel, including an exclusive excerpt, original notes from the author’s archives, and readings of his novels by Rachel Weisz, Tom Hiddleston, Damien Lewis et al. Read also: our own Emily St. John Mandel on using le Carré for literary cover.
“It was as though the novel had outstretched arms and I fell in.”
Recommended Reading: Anna Wiener on Speedboat by Renata Adler. Adler’s book, which David Shields recommended on our site two years ago, will be reissued by NYRB Classics in March, 2013.
Dzanc and Melville Houses’s Independence Sales
Not to be outdone by Graywolf, Dzanc Books is also offering an Independence Sale of its own. You have until July 7th to buy one, get one free over at their website. Likewise for Melville House, which is offering a 40% discount on everything it’s got.
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What We Talk About When We Talk About Books
“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
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