That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.
Kickstarting The Riveter
Possible Release of Mitch Hedberg’s Notebooks
Lynn Shawcroft is comedian Mitch Hedberg’s widow, and she curates MitchHedberg.net. In a series of tweets this week, Shawcroft alluded to the possibility that she’ll be releasing Hedberg’s notebooks in the near future, perhaps as part of a book. Of course some excerpts from Hedberg’s notebooks are already available online, such as this fantastic sketch which explains the trouble with mingling before a comedy set.
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On The Road With DFW, Part II
At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
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Time Out of Mind
Are we now living in a golden age of the uncanny? The Millions contributor Porochista Khakpour suspects that we are, and she also suspects that our historical moment, populated as it is with alienating developments and surreal art, is key to understanding the work of Helen Oyeyemi. In the Times, Khakpour reviews Oyeyemi’s new novel. (You could also read both writers’ Year in Reading pieces.)
An NBA Highlights Reel
The WaPo‘s Ron Charles delivers a rapid-fire video review of the National Book Award nominees.
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Fractal Surfaces
Recommended Reading: On Marianne Moore’s infectious devotion to all things small, and how that same devotion helped make her Observations one of the great verbal works of art of the 20th century.
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“The image of a mountain in the viewer’s mind.”
The images in Yuji Hamada’s “Primal Mountain” series for Granta’s “Japan” issue have been made available online, and they’re gorgeous. (The rest of the magazine is well worth your time as well.)
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