The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.
Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
“Some psychiatrists say that music has therapeutic powers and can even restore fluidity and mental structure for a moment in some patients – music is the opposite of chaos. It may be that heavy metal, the music his parents blamed in part for this entire catastrophe, is the only thing that gives order to my cousin’s worn-out brain. No one knows, except him.” On trying to seek refuge from schizophrenia in heavy metal.
Back in 1988, Tad Williams published the first book of the Memory, Sorrow and Thorn series, which inspired George R.R. Martin to start writing A Song of Ice and Fire. Now, more than twenty years after publishing the last installment (and just as the new season of Game of Thrones begins), Williams announced that he’s writing a sequel, The Last King of Osten Ard. You could also read our own Janet Potter’s review of the first Game of Thrones book.
Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”