If you’re not already a fan of Will Self, his new book, Shark, may not be the best place to start. As Walker Rutter-Bowman points out, the book dispatches with many of the conventions of modern writing, including line breaks, paragraphs and dialogue tags. But it’s still an effort worthy of its author, he writes: “Here is a hunk of modernism that poignantly, beautifully, and, it seems, genuinely renders mental states of sanity and insanity while smudging the gradations in between.”
Today is Herman Melville's birthday. This October, Tin House will be releasing Matt Kish's Moby-Dick In Pictures. Kish began illustrating Melville's masterpiece in 2009 by "creating images based on text selected from every page of the 552-page Signet Classics paperback edition." You can preview some of the work on the book's designated Twitter account.
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
Those of you who know the joy of reading romance novels with your friends have probably wondered at some point what people who write erotica are like. Are they bankers and professionals? Housewives and mistresses? Are they some combination of all of the above? At Slate, a chaste look at the lives of unchaste writers.