A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. “As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood,” writes the Los Angeles Times. Pair with Jason Arthur‘s essay on novels about work.
It’s that time of year again – our good friends at The Morning News are back with their annual epic, the Tournament of Books! Head over to TMN now to read round 1, which pits award season favorite Lincoln in the Bardo against Samantha Schweblin‘s Fever Dream (and read our own review of George Saunders‘s much-lauded novel here).
io9 offers up “The Twenty Science Fiction Novels that Will Change Your Life,” from Frankenstein to Pattern Recognition. (via)Cathleen Schine on the charms of Peter CareyThe “Thomas Bernhard cult” claims a new initiate.F.O.T.M. (Friend of The Millions) Lydia Millet talks about “endangered species, the idea of motherhood, and her stint at Hustler.””Why do scribblers make drinking their second art? For one thing, it primes them for their task.” Writers and booze.Some American Studies undergrads at The University of Virginia have put together an online exhibit titled “The New Yorker Magazine in the 1930s.”NPR’s “In Character” segment considers Hawthorne’s Hester Prynne.
Last night at the General Assembly, the working group of drummers, Pulse, in a spirit of conciliation and generosity, brought forward a proposal to limit their drumming from 12 to 2 and 4 to 6 pm only.
The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.