“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
How To: Write Difference
Disturbing the Book Reviews
Over at The New York Times, our own Garth Risk Hallberg reviews A. M. Homes’ May We Be Forgiven. And in October, so did we.
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Get Shorty
Want your writing to have punch? Want your readers to believe you? “The five-word sentence as the gospel truth…Express your most powerful thought in the shortest sentence,” Roy Peter Clark writes in The New York Times. Sorry that every sentence in this post is more than five words.
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Kiley Reid on the Babysitter’s Dilemma
In Such a Fun Age, Kiley Reid used her own experience as a babysitter to explore the transactional relationship that exists when caring for someone's child.
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Must be all that Schadenfreude
Eating your manuscript, deliberately slicing open your own head during a reading, titling your work “Baby Fucker.” These stunts are par for the course during the competition for the Ingeborg Bachmann Prize, a prestigious German literary award.
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A Poetic Road Map
We’re midway through National Poetry Month, so get reading! Are you finding yourself a bit daunted by all of the great writers out there? Then head on over to The Literary Hub for this lovely, comprehensive list of thirty poets you should be reading.
The Millions on Facebook
Hey! Are you a fan of our Facebook page? If not, you’re missing out on some unique, international Millions content – like this shelf section Nick Moran spotted in a Kaohsiung bookstore, or this brand of “literary” whiskey discovered by Thom Beckwith in Ireland.
No Room for Others
African-Americans make up no more than 2% of employees in editorial rooms. In case you’re wondering why publishing is so white, Publishers Weekly reports that unconscious bias is the biggest issue.
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Lest the hasty reader think this is article is about how to actually write about people different from oneself, the link is to a review of a book that stupendously fails to do it.
Or rather Joe, the link is to a review by Roxane Gay, who calls Joyce Carol Oates “deeply offensive” for not writing about black people in the right way (a way in which, apparently, only Roxane Gay is privileged to).
@Mygod
Considering she provides some examples of books that write across the racial divide, I’m not sure your parenthetical is charitable.
Although you could maybe take issue with the examples she provided. Southern Cross the Dog is a Southern Gothic novel about a black man written by an Asian American who has never even visited Mississippi. Considering the many imaginative leaps Cheng was already making, Gay may have been more generous with her assessment than she would have been in a strictly realist approach, such as Oates’. Round House is written by Erdrich, a native American, but almost all the characters are Native American except a handful of secondary characters (including the villain) are white. So that strikes me as an odd example for Gay to pick.
I don’t think Gay’s position is indefensible at all, just that her examples are somewhat strange. I wonder what she thinks of Styron’s Confessions of Nat Turner.
It’ll be interesting to see if other authors or critics, particularly black writers/critics, will respond to Gay’s review.
Oops. Please excuse the typos.
@Ross – thanks for the detailed reply. To be a little clearer about it – while Roxane Gay does indicate that there writers who can write across “the racial divide,” I was implying that I don’t see how Gay has more claim to being an arbiter than Oates.
In other words, there’s a bad faith at work here – wherein Gay assumes she knows “the correct racial fiction” and Oates has clearly failed whatever definitional line Gay thinks is clear, I strongly doubt that the definition holds up under any scrutiny. This is unfortunate, because if it’s this easy for a good author like Oates to be accused of racism (which is the underlying message here, or at least, an accusation of drastic racial insensitivity) the less people will write novels with a diverse cast.
Another perspective on Oates and difference:
http://www.buzzfeed.com/mchadburn/wonderland-woman#.lw5KRA4REV
@Robin Thanks, that was a welcome counterpart.
I myself think that Oates can be critiqued as much as one likes from a literary standpoint but accusing her of a lack of empathy and then saying she writes “deeply offensive” works about race is pretty much the definition of insanity, or rather, the definition of the “if you’re not on my side in my exact way you’re expressing ancient evils” mode of argument that people like Gay fall into at the drop of a hat.