Looking to get into Philip Roth? Not sure where to start in the perennial Nobel favorite’s massive ouevre? Thankfully, the novelist Gabriel Roth is here, swooping in with the only guide you’ll ever need. He explains why Portnoy’s Complaint made the splash it did, why Goodbye, Columbus put Roth on the map, and why the character of David Kepesh is critical to understanding Roth’s legacy. Related: Keith Meatto picks out ten lessons from the author’s work.
From A to Zuckerman
Me and Myself
What is the personal essay, and where could it go from here? In The Boston Review, Merve Emre traces two paths.
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Write Away the Stigma
Check it out: Creative Nonfiction and Writing Away the Stigma are teaming up to put on a six-part writing workshop and fellowship for individuals who have been affected by mental illness. Twelve writers will have the opportunity to study, free of charge, with the founder and editor of Creative Nonfiction magazine, Lee Gutkind. Submissions are accepted throughout the month of November.
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There’s Franco in My McCarthy
Sometime Ph.D candidate, sometime actor, and ubiquitous lit blog all-star James Franco (henceforth known as “He-Who-Must-Not-Be-Named”) has begun filming an adaptation of Cormac McCarthy’s Child of God in West Virginia, and I’m reminded of that line from W. B. Yeats’ “The Second Coming” — “The best lack all conviction, while the worst / Are full of passionate intensity.”
Incendiary Verse
Do you love poetry, but often wish you were monitored on more government watchlists? Well, now you can scratch both of those itches by purchasing Poetry of the Taliban, a new anthology endorsed by and published on the group’s website. Unsurprisingly, the book has garnered its share of criticism, but as Melville House’s Kelly Burdick notes, it also has a coalition of allies and proponents.
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