Looking to get into Philip Roth? Not sure where to start in the perennial Nobel favorite’s massive ouevre? Thankfully, the novelist Gabriel Roth is here, swooping in with the only guide you’ll ever need. He explains why Portnoy’s Complaint made the splash it did, why Goodbye, Columbus put Roth on the map, and why the character of David Kepesh is critical to understanding Roth’s legacy. Related: Keith Meatto picks out ten lessons from the author’s work.
From A to Zuckerman
Type In Your Own Handwriting
Galley Cat links to an online program that allows you to turn your handwriting into a computer font – so you can literally type in your own handwriting.
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After great Cake – a formal Frosting comes…
We all revere Emily Dickinson‘s poems, but who knew she was also a great baker? Spend your weekend rereading the Dickinson oeuvre, and then top it off by attempting her coconut cake recipe.
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It’s Hard to be a Protagonist
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
Poetry of Misplacement
Recommended Reading: Daisy Fried’s poem in the new issue of Grey Magazine, “Where Not to Put Things.” “Failed poems about sex, ball of yarn/twists from pink to green/to tangerine.”
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Jane Wong Curls and Uncurls Her Fists
Jane Wong discusses her new poetry collection, How to Not Be Afraid of Everything, which depicts her own experience of Chinese immigrant life in the U.S., while also giving voice to generations before her.
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F-O-R-T-E
When spelling bees are so fun you think they might be your calling, it’s understandable that a serious loss might haunt you for quite some time.
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Unforgivable Sins
We’ve covered The New York Times Bookends column before. This week, Benjamin Moser and Year in Reading alumna Rivka Galchen discuss unforgivable sins in literature.