“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
Form of the Future
You Will Survive
“You can only advocate for yourself when you know what it is you want from the experience. You’d be surprised by how many people go into this process and are unclear about what they hope to get out of it.” Over at the Amazon Author Insights blog, Katrin Schumann offers a checklist of seven tips to survive submitting your writing to editors, including this note about articulating your goals beforehand. (Ed. note: Amazon helps us pay the bills around here!)
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The Confessions of Bill Styron
Now that you can purchase the letters of William Styron, you can note how especially funny (and sad) it is that Darkness Visible, the author’s book-of-self-help-slash-memoir-slash-confession, sold well enough to overshadow the novels that made his name.
Appearing Elsewhere
Ever wonder what writing contests do with the money they earn from entrance fees? Poets & Writers has posted detailed 2011 budgets from three of the country’s most prestigious book prizes, collected as part of my piece in the May/June issue of the magazine on the economics of writing contests.
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Drawing Connections
Stephen J. Gertz shows off some of Bukowski’s artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.
The Language of the Present
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
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Glint of the Diamond
“Andre Dubus’s literary superpower is to hit upon that one thing about a character that makes him him, or her her. And in so doing, with subtle, clever details—breadcrumbs on the trail to the nucleus of a character—he makes a reader want to keep going, because she knows exactly who these people are and has to know what happens to them.” On the Selected Stories of Andre Dubus.
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