“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
Form of the Future
Breaking the Binary
Rachel Klein writes on raising a genderqueer, non-binary child. “Being a parent means, at some point, being able to look on as your child writes their own story, a story in which you play a role but which is ultimately not about you.”
Stop Reading this Post Right Now
Get off the internet and read a book. Research has shown that deep reading (slow, immersive reading) is like an exercise for our brains that can enable us to be more empathetic.
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Bad News
Whatever your thoughts about the situation in Ukraine, you’ll feel for Year in Reading alum David Bezmozgis, who’s been writing a novel for the past four years that takes place in Crimea. After nearly a half-decade in which few people he talked to even knew where Crimea was, recent events shone a spotlight on the place, which the author had thought of as “locked in a dismal kleptocratic stasis.” (You could also read our interview with the author.)
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Interview interviews, Vacationers vacation, etc., etc.
Interview, well, interviews Emma Straub on beach reads, vacation, and The Vacationers. Bonus: Elizabeth von Arnim‘s The Enchanted April is mentioned, and if you haven’t already read the book or seen the movie, please do so immediately.
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Real Life Rosebud
Last month, we got the gossip from Orson Welles. This month, the dirt is about him. His first film, Too Much Johnson, was recently rediscovered in Italy.
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On The Road With DFW, Part II
At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
A Voice of One’s Own
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.
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