In a By Heart piece for The Atlantic, Harriet Lane writes about the “bleak precise nature” of Philip Larkin‘s poetry (what Stephen Akey called “The Poetry of Mental Unhealth” in a Millions review) and about the power inherent in writing fiction. “In my everyday life I have no control, really: who does? But on paper, I hold all the cards. Fiction provides you with a way to shape a world, to exert the kind of power and agency our real lives so often lack.”
One of the biggest literary releases of the year is out today, The Marriage Plot by Jeffrey Eugenides. Read the book's opening here. Another literary heavy hitter out today is The Stranger's Child by Alan Hollinghurst. One of Albanian writer Ismail Kadare's masterpieces, The Palace of Dreams, is now back in print in English, and Blake Butler's memoir Nothing: A Portrait of Insomnia is now on shelves.
“Ah, I think, a lizard-poet. This particular category was one I had concocted years before to describe those poets who were too Olympian to mingle with the rest of us, who stood to the side, detached, having feelings.” Remembering Larry Levis, whose book of last poems, The Darkening Trapeze, was released this past week.
Thanks to her new book, Lydia Davis is getting a lot of well-deserved attention, including an interview with Salon this week. In conversation with Brendan Matthews, she reflects on her “letters of complaint,” her habit of juggling multiple projects and the effects of translating Proust on writing emails.