Cheryl Strayed’s Wild is probably the best-known recent example of a memoir that centers on a journey through a harsh landscape. There’s another one that deserves your attention, too — Kathleen Winter’s Boundless, which tells the tale of the writer’s voyage through the icebound Northwest Passage. At The Guardian, a review of the memoir.
Edge of the Earth
Authors Upon Authors
The Guardian asked a bunch of authors, including Hilary Mantel, Geoff Dyer, and Ian Rankin, which books they “regularly reread and which novels they are desperate to unlock the secrets of.” Check out John Banville’s abiding fixation on the works on F. Scott Fitzgerald.
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Life as an Afición
Ernest Hemingway was a great drinking buddy as long as you didn’t make any plans with him. At The Moth, author A.E. Hotchner recounts when Hemingway convinced him to be a matador for the day.
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Aura Estrada Short Story Contest
Boston Review’s Aura Estrada Short Story Contest is underway. This year’s submissions will be judged by What We Talk About When We Talk About Anne Frank author (as well as Year in Reading contributor) Nathan Englander, and the victor will earn a $1,500 prize as well as publication.
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#long and #longer still
A #mediumread on the origin of #longreads and longform.org.
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On Zadie Smith and Barack Obama
Electric Literature’s blog The Outlet begins a series of essays with the question: “Is Zadie Smith the Barack Obama of literature?”
On Not Reading
“There are writers we instinctively, permanently dislike: not only will we never read them, we will quietly relish the not-reading, finding in it a pleasure that can occasionally rival reading itself.” Dan Piepenbring explores the advantages of not reading for the The Paris Review. Pair with our own Sonya Chung’s essay on the art of not finishing books.
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I Heart Antosha Chekhonte
This summer Antosha Chekhonte’s (aka Anton Chekhov‘s) first book The Prank will finally be published after more than 130 years of waiting, and it’s been described as “frankly indispensable for readers of Chekhov, or Russian literature, or comedic literature, or parody, or any and all literature” generally. Pair with our own Sonya Chung‘s essay, “I Heart Chekhov.”
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