Cheryl Strayed’s Wild is probably the best-known recent example of a memoir that centers on a journey through a harsh landscape. There’s another one that deserves your attention, too — Kathleen Winter’s Boundless, which tells the tale of the writer’s voyage through the icebound Northwest Passage. At The Guardian, a review of the memoir.
Joseph P. Kahn writes for The Boston Globe that books published posthumously are among the most profitable, from Stieg Larsson’s Millennium trilogy to David Foster Wallace’s The Pale King. Pair with the opening lines of The Pale King, and a previously unpublished scene.
“While pressure from Amazon forced Borders out of business in 2011, indie bookstores staged an unexpected comeback. Between 2009 and 2015, the ABA reported a 35% growth in the number of independent booksellers, from 1,651 stores to 2,227.” Professor Ryan Raffaelli read this surprising statistic and decided to study what exactly independent bookstores were doing in order to reinvent themselves and thrive. He found it has to do with indies embracing the three Cs; community, curation and convening. The full report will be released in 2018 but you can glimpse a preview here. Three cheers for indies!
Does modern China need its own literary sub-genre? On trying to understand China’s “ultra-unreal” reality: “If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word ‘chaohuan’ (ultra-unreal) is something of a play on the word ‘mohuan’ (magic), as in ‘mohuan xianshizhuyi’ (magic realism)— ‘mohuan’ is ‘magical unreal,’ and ‘chaohuan’ is ‘surpassing the unreal.’”
The Los Angeles Review will start reviewing one self-published book each month. They plan on applying “the same standards of good literature” to their reviews of self-published content as they do to traditionally published content.