“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
The ongoing Hachette vs. Amazon feud has writers and publishers up in arms, but according to the Society of Authors there are no heroes in publishing.
“It’s a major work of scholarship and interpretation, but also one that some readers may foolishly reject as unimportant on account of its theme, the ultimate ‘minor’ topic in the eyes of the heterosexual masses.” In the LRB, Terry Castle reviews Lisa Cohen’s new biography.
“It’s difficult to pinpoint exactly what makes a great artist creative” but The Atlantic makes a strong attempt and cites the story behind Mary Shelley‘s Frankenstein as an example of what can happen “when experience, openness, and the right neurology come together.”