We care quite a bit about book covers here at The Millions, hence our recent rounds of cover-judging. To honor the hundredth anniversary of Tolstoy’s death, Flavorwire has compiled a selection of Anna Karenina‘s many covers, and opportunities for judgement abound.
Covering Anna Karenina
The Billionaire is Dead…
At long last, a viable alternative to Mike Bloomberg and Bill Thompson has entered the NYC mayoral race. This candidate's "zero tolerance anti-hipster policy" is certainly worth a look.
Making History at the Hugos
"To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much." The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction's Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin's work when she was nominated for the Hugos a few years back.
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Book Boredom
Laura Miller discusses what she didn't read this year.
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Trash Collector
We’ve all heard stories about fans who root through the trash of Hollywood celebrities. But what about those rare birds who root through the trash of famous authors? Herewith, Adrienne LaFrance relates the story of Paul Moran, a Salem, MA resident who picked through John Updike’s garbage. It’s probably a good time to read our review of Adam Begley’s biography of Updike.
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Less than Horrible
In the latest edition of By the Book, Neil Patrick Harris explains his love of Gone Girl, Steve Martin, and John Kennedy Toole's A Confederacy of Dunces. We’ve written about the series in the past -- you might want to look back on the entries by Neil DeGrasse Tyson and Colson Whitehead.
They’re Not Rocks
"I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life." This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.
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