I’ve written before about the excellently titled series Novelists in Restaurants Eating Food. It lets some of our foremost literary minds reflect on places like Fallon and Byrne and Buffalo Wild Wings. Now, Millions contributor Laura van den Berg writes about Cafe Azteca in Lawrence, MA, where they make shrimp fajitas that inspire mouth-watering daydreams. Sample quote: “Love of food can be love’s most sincere form—especially when avocados are involved.”
Comparing a Fajita to a Summer’s Day
Tuesday New Release Day: Knausgaard; Straub; Zentner; Collins; Bird; Henderson; Hopkins
Book Three of Karl Ove Knausgaard’s My Struggle is out this week, as is a new novel by Millions contributor Emma Straub. Also out: The Lobster Kings by Alexi Zentner; The Untold by Courtney Collins; Above the East China Sea by Sarah Bird; Fourth of July Creek by Smith Henderson; and a new volume of the Collected Works of Gerard Manley Hopkins. For more on these and other new titles, check out our Great 2014 Book Preview.
“The dream of authenticity”
A few weeks ago, Meghan Daum released an essay collection, The Unspeakable, which our own Hannah Gersen described as “unputdownable” in her Millions review. At Slate, Katy Waldman offers her own praise, writing that “these essays do what essays often set out to do: trace the outlines of a self.”
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“Wounded Women”
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.
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I’d Like to Thank…
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.
Wifely Pursuits
Tolstoy has a new book out. No, not that Tolstoy — Sofiya Tolstoy, wife of Leo Nikolayevich. Her long-lost novella, which languished for years in the Tolstoy Museum in Moscow, has finally been published, as part of an expanded edition of her husband’s The Kreutzer Sonata. At Slate, Ron Rosenbaum praises her story, calling it “graceful, emotionally intuitive and heartbreaking.” Related: 8 experts on whether Leo Tolstoy is better than Dostoevsky.
Publishing’s Gender Gap
At Guardian, Lionel Shriver (America’s best writer?) shares her frustrations in publishing as a female novelist: “A female novelist would never enjoy a Franzen-scale frenzy of adulation in America…”
Breaking Point
One of the better reasons you should read this review of the new book Breakfast with Freud is this quote, in reference to a Lucian Freud painting: “Robert Hughes compared [Francis] Bacon’s face in it to ‘a hand grenade on the point of detonation.’”
Home Is Where the Story Begins
“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.
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