“One of the things I like about my job is that it draws on the entire person: not just your knowledge of grammar and punctuation and usage and foreign languages and literature but also your experience of travel, gardening, shipping, singing, plumbing, Catholicism, Midwesternism, mozzarella, the A train, New Jersey. And in turn it feeds you more experience. The popular image of the copy editor is of someone who favors rigid consistency. I don’t usually think of myself that way. But, when pressed, I do find I have strong views about commas.” Mary Norris‘s “Confessions of a Comma Queen,” from the New Yorker.
My student and friend Paria Kooklan pens a guest piece at the Vroman’s Blog about the popularity of novels about Iran–and penning her own. “I mean, the American public has a short attention span – Iranians are hot right now, but I can’t help wondering when the trend is going to die out. Next year, there may well be another trendy nationality: Iraqis, maybe. Or Tibetans. Or…I don’t know – the Bhutanese? Anything is possible.”
Ever got the feeling that literary life used to be a lot more glamorous? Well, thanks to this review, we now have some proof that it was. In The Times Literary Supplement, a review of Antonia Fraser’s new memoir, which includes her memories of meeting the Queen and dancing with T.S. Eliot. (h/t Arts and Letters Daily)
For Buzzfeed Rachel Vorona Cote explores Eve Babitz and the white literary It Girl. “Readers, particularly literary women in their twenties and thirties, seem to be entranced by this child of Hollywood, who unabashedly relished her LA milieu and both chronicled and defended its paradoxes. But it’s still a milieu that flattens the city into one that is homogenous, wealthy, and white.” Pair with this essay about her novel Sex and Rage.