“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.
Like bestseller lists? The Book Standard’s giving them away for free for the next two weeks.Alibris is bought by a private equity firm. PW article suggests Abebooks could be next. (via BookFinder blog)Small publishers book big rewards (via Mumpsimus), but…Bookshops fall prey to online sales.
Out this week: City on Fire by our own Garth Risk Hallberg (whom we interviewed yesterday); Thirteen Ways of Looking by Colum McCann; Upright Beasts by Lincoln Michel; The Mountain Shadow by Gregory David Roberts; Carrying Albert Home by Homer Hickam; And West is West by Ron Childress; and Eyes by William H. Gass. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
I have an essay in the September issue of Poets & Writers on “The Social Value of MFA Programs.” Sadly, P&W deems the piece too valuable to give away for free on the Web, so if you want to read it, you’ll have to go to your local newsstand and buy a copy.
“Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess.” From Catapult, the latest installment of “After a Fashion,” writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.