“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.
Despite recently winning the Booker Prize, Howard Jacobson writes a list of his favorite novels about failure for the WSJ: “This category is, of necessity, a crowded one. Novelists are drawn to failure. Those who prosper, or expect to prosper, in the world as it is have no need to re-imagine it.”
If you’re in NYC this coming Sunday, come out to KGB Bar and meet some Millionaires Millions staffers. Emily St. John Mandel, Michael Bourne, Garth Risk Halberg, and Sonya Chung will all be reading. Our editor in chief, C. Max Magee, and other friends and staffers will be there too, so if you’re able why not come out and put faces to names, say hi, have a drink, and help us make a little merriment.
“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, “He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops.” Pair with John Yargo’s Millions essay on Hrabal’s fiction.