“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.
“[T]he term was first recorded in 2012, but its use increased significantly during the federal election this year, especially with the popularity of several websites set up to help voters find polling stations with sausage sizzles.” Australia’s word of the year is “democracy sausage,” reports The Canberra Times. Other national choices, according to Mental Floss: postfaktisch, or “post-truth” in Germany, and the 52-letter-long Bundespraesidentenstichwahlwiederholungsverschiebung, or “postponement of the repeat runoff of the presidential election” in Austria.