Neurotic writers or friends-of-writers are likely to have asked themselves an uncomfortable question: do the writers I know use my foibles for material? At The New Statesman, Oliver Farry lists a number of proofs that they do, citing Dante’s Inferno, Madame Bovary and Beckett’s debut novel Murphy.
Always Watching
Stay Away from the Semicolon
“The Crested Asterisk camouflages itself in poor syntax, relying on this tactic to confuse its predators and prey. It is the only specimen known to cause injury by way of over-emphasis.” Introducing a field guide to rare punctuation.
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Characterizing Sleep
On this date 109 years ago, a cartoonist first paired the letter “Z” to the act of sleeping, beating out other attempts to write out the sound of slumber such as the tenacious “g-r-r-k-k-k-k” and the elegant “z-z-z-c-r-r-k-k-k-k.”
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What’s A Guy Got to Write to Get a Bridge Named After Him?
Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
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Who Says Print is Dead?
The Little Printer is an adorable new printer that connects to the internet and allows you to print out “miniature personal newspapers” every day.
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Russian Slapstick
“Russian humor is to ordinary humor what backwoods fundamentalist poisonous snake handling is to a petting zoo. Russian humor is slapstick, only you actually die.” Ian Frazier writes about the strange humor of Daniil Kharms for the New York Review of Books.