Neurotic writers or friends-of-writers are likely to have asked themselves an uncomfortable question: do the writers I know use my foibles for material? At The New Statesman, Oliver Farry lists a number of proofs that they do, citing Dante’s Inferno, Madame Bovary and Beckett’s debut novel Murphy.
Always Watching
The Other Image
In an author photo investigation, Matthew Shear and Sven Birkerts discuss standard poses and the anomalous picture of Birkerts that appears in The Other Walk. Pair with this Millions essay about the perils of designing the cover of Lolita.
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Amanda Shapiro on Cookbooks as Comfort Reading
Amanda Shapiro makes a case for reading cookbooks for more than just their recipes, especially during a quarantine.
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“The New York Times, the paper of record, had written a fictitious character to verify a fact.”
Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
Fractal Surfaces
Recommended Reading: On Marianne Moore’s infectious devotion to all things small, and how that same devotion helped make her Observations one of the great verbal works of art of the 20th century.
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Disarmingly Like Love
“I quickly stopped trying to draw in a realistic way and went for an efficient one.” Max de Radiguès is a Belgian cartoonist whose work you should familiarize yourself with.
Fancy Yourself a Bowdlerizer
“Books can be dangerous objects–under their influence people start to wonder, dream, and think.” In “celebration” of Banned Book Week, the New York Public Library has a quiz for you to find out how much you know about the freedom to read. See also our tribute to The Bluest Eye, one of the United States’ most challenged books.
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Camus’ Web
Have you ever wondered what Charlotte’s Web would be like if Albert Camus joined the farm creatures? Well, someone wrote it for you at McSweeney’s. Pair with our review of Camus’ American Journals.