Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
The Commission Générale de Terminologie et de Néologisme – the division of the French government responsible for preserving the integrity of the Gallic language – ruled last week that enough is enough when it comes to “hashtag.” They feel the word is just too English for the banks of the Seine. They recommend instead using the decidedly softer “mot-dièse” (pro: ‘Mo-Dee-YEZ’). Previously the group asked residents to replace “email” with “courriel.”
David Denby wonders: After nearly 150 years have passed since its initial publication and countless imitators have blunted its artistic radicalism does Dostoevsky’s Notes from the Underground still pack a punch? For more contemporary readings of Dostoevsky, see Rob Goodman’s recent article on forensics, The Brothers Karamazov and the death of the courtroom drama.
Legendary jazz musician and composer Cal Massey receded from active performance in the 1950s in order to concentrate on composition. His works went on to be recorded by John Coltrane, Lee Morgan, Freddie Hubbard and many other greats. To honor his indelible mark on jazz music and African-American culture, Fred Ho and Ben Barson will present a series of concerts in Harlem’s Red Rooster restaurant. Barson also wrote a lengthy introduction to Massey’s life and legacy.
Kurt Vonnegut famously wrote that all semicolons do is “show you’ve been to college.” What to make, then of The Lonely Island’s raunchy new song about their favorite punctuation mark? (For the record: Jorma Taccone attended UCLA; Akiva Schaffer attended UC-Santa Cruz; and Andy Samberg attended UC-Santa Cruz and NYU.)