Novels that focus on obsessive characters hinge on persnickety details. The need to depict accurately the mind of an obsessive demands that the novelist overemphasize the trifling and tangential. In The Kenyon Review, Vanessa Blakeslee reviews a new and representative example of the form, The Understory by Pamela Erens. Sample quote: “When the smaller steps of daily life are magnified, does that narrative reach its greatest potential for a unified and powerful resonance?” FYI, Erens has written for us.
A Little Too Into It
“Stare at us stoned like eyes determined”
Rage Against the Machine frontman Zach De La Rocha has penned a poem dedicated to the Occupy Wall Street movement.
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Brillante
Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.
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Custodian of Forgotten Books
Recommended Reading: On Brad Bigelow, a “Custodian of Forgotten Books.” Our own Claire Cameron traces the history of John Williams’s Stoner, which was first published in 1965 and became a bestseller in the Netherlands in 2013.
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The Spy Who Saved Me
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation — was the author simply having a midlife crisis?
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The Crowning
After his death, fans of David Foster Wallace canonized him as a prophet, according him a degree of benevolence shared by almost no one in American letters. In New York Magazine, Christian Lorentzen argues that Wallace himself worried about this happening, and says he’d “probably be the last person to argue for his sainthood.” His essay pairs nicely with Jonathan Russell Clark on The David Foster Wallace Reader.
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Proto-Stalin
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.
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Fake AP Style
A Twitter jokester is compiling a fake AP Stylebook. Example entry: “Instead of prepositions, it’s preferable to end sentences with propositions, so why don’t we start a dry cleaning business?” (via)
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