“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.
“We can work harder to mourn, get better at it, connect it better to how we live, how we care for people, how we educate people. It’s politics, for me.” ZYZZYVA interviews Max Porter about his Grief Is the Thing with Feathers. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
University Of Chicago Press has come out with a new edition of a somewhat forgotten classic in the campus novel genre. Randall Jarrell was a National Book Award-winning poet who wrote only one novel, Pictures from an Institution, about the fictional Benton College. The Kenyon Review published the opening of the novel in its Winter 1953 issue. It begins: “Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and spoken for the other.”
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.