“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks — My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead — are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
In 2004, much of the literary world celebrated the hundredth anniversary of Bloomsday, aka the setting of James Joyce’s Ulysses. This year, we’re celebrating the hundredth anniversary of Dubliners, which our own Mark O’Connell once described as “a collection which writers of the short story form seem basically resigned to never surpassing.” At The Paris Review Daily, Skippy Dies author Paul Murray writes about his history with the book. You could also try to pass our eccentric James Joyce quiz.
Recommended reading: “I am seventeen years old, and getting drunk is still a novelty. It has only recently occurred to me that my mother won’t think to check my breath if I’m coming straight home from work.” An amazing reminisce of summer employment from The Rumpus. Pair with: The New Yorker on why summer makes us lazy, and an ice-cold beer.
Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
The work of literary cartoonist Grant Snider has been featured in such places as the New York Times and Electric Literature (part 2, part 3). We also love this comic on poetry. But don’t wait for the curators to endorse your dose of comic cheer–every one of these pieces can be seen on Snider’s Tumblr page.