Young/Adult
On Magna Opera
Nabokov fans, brace yourselves! Roxana Robinson makes a case against Lolita, “a brilliant book in many ways, but not a masterpiece.”
Get Off Get Paid
“It wasn’t our job to be aroused; it was our job to enhance literature meant to arouse our paying readers.” Kayleigh Hughes writes for Catapult about her year of editing e-erotica. You will learn myriad things from her account, such that publishers list “every sex act contained in every book, and the page on which those activities could be found, so that those in sales could properly categorize and organize the books for maximum success in the e-market.” And if your lust still requires further satiation, see also this account of writing the erotica itself.
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Appearing Elsewhere
Want to get a little background on The Millions? Yours truly is interviewed at the Blog Ads blog today.
Colum McCann’s Optimism
Let the Great World Spin author (and one of today’s YiR2011 writers!) Colum McCann had some inspiring words for this year’s crop of Boston College freshmen. “There’s a degraded discourse around the notion of optimism these days that says there is something soft about being an optimist—something wrong,” he said. “It claims that optimism has no edge, as if it’s less than complete, less than the full deck of knowledge. The optimist is cartooned into the corner with an idiotic grin. I submit to you that none of that is true.”
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Dancing with The Rumpus
Tonight’s the night, Brooklynites! Join friends of The Rumpus for an evening of comedy, readings, and (of course) dancing. Festivities begin at 8pm.
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The Blood Countess
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).
Rounding Out Frost’s “Monster Myth”
Over at the New York Times, Jennifer Schuessler previews a forthcoming collection of Robert Frost’s correspondence. It’s a collection, she says, that will go a long way toward rounding out the flat “monster myth” that’s subsumed the poet’s afterlife.