You may have heard that Noah Berlatsky wrote a book about the early days of Wonder Woman. The book explores gender dynamics in Wonder Woman comics from the forties. At The Rumpus, Berlatsky talks with Arielle Bernstein about early comics, radical politics and the mind of William Marston.
“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.
A big week for new fiction. Ian McEwan’s latest novel Solar is out. Kakutani just called it his “funniest novel yet.” Also now apparently available (despite its late April pub date) is the latest in the long line posthumously published works by Roberto Bolaño, Antwerp, a slim volume that has been described as both a prose poem and a crime novel. Deborah Eisenberg’s big new volume of collected stories is also out today, as is Rachel Cusk’s The Bradshaw Variations. Hilary Mantel is a fan of the latter. And finally, The Lotus Eaters, a debut novel from sometime Millions contributor Tatjana Soli.
New this week: My Name Is Lucy Barton by the Pulitzer laureate and Year in Reading alumna Elizabeth Strout; The Happy Marriage by Tahar Ben Jelloun; And Again by Jessica Chiarella; American Housewife by Helen Ellis; Your Heart Is a Muscle the Size of a Fist by Sunil Yapa; This Census-Taker by China Miéville; Eleanor by Jason Gurley; The Dogs of Littlefield by Suzanne Berne; and Even the Dead by John Banville’s alter-ego Benjamin Black. For more on these and other new titles, check out our Great 2016 Book Preview.