“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
Tonight at 7pm, Hari Kunzru will visit WORD bookstore at 126 Franklin Street, Brooklyn, NY for an event co-hosted by The Millions. Visit the WORD website for further details and RSVP. Join us!
“Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive.” Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.
The novel that had Scarlett Johansson filing charges of “fraudulent and illegal exploitation of (her) name” is due out next month in its English-language iteration. The First Thing You See by Grégoire Delacourt is ostensibly about a garage mechanic who ends up falling for a Johansson lookalike. For more on the legality of literature, here’s an essay for The Millions on J.D. Salinger and U.S. copyright.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.