“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
Imagine how many volunteer hours you could log if volunteering was as easy as playing a game of FarmVille or watching a video on YouTube. Now it is, thanks to Ben Rigby and the other folks at Sparked (formerly The Extraordinaries). Sparked directs you to challenges suited to your skills and interests submitted by nonprofits around the country and the world who need help with brainstorming, copy editing, IT, translations, marketing, fund-raising, and more. Now you can volunteer without leaving your desk.
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)