What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.
Wrapping Things Up
Crying with John Green
Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. “It was a joke on the movie that I cried every day. But I cried every day because they were good every day!” The film’s full trailer was released this week, and in case you still haven’t read the novel, here’s our review.
Has Odds, Will Bet
As previously reported, Haruki Murakami is favored to win the Nobel Prize in Literature seven-to-one. For more on the dubious practice of betting on literary awards, see this interview from last year with an employee of the London-based company responsible for calculating the odds.
Toni Morrison’s Momentous Editorial Career
The Hardest Goodbye
“And when she champions authors, she explains specifically what makes their work special. No vague parroting of Kakutani reviews here. She gives you the straight dope.” How do you say goodbye to your favorite bookstore?
The Good, the Bad, the Ugly
Looks like you might want to add Noah Hawley’s new suspense novel Before the Fall to your reading list — this review by the New York Times is effusive in its praise. Check out the other side of what a Times review can do and pair it with this review of Laura Tillman’s The Long Shadow of Small Ghosts, which includes such lines as: “Is a book without judgment, a personal view and confidence in its validity still a book?”
A Fatal Continuity
“I don’t know what wave feminism we are in now. Fourth? Fifth? But Ms. Attenberg, it depresses me to no end that the gritty, credible, less kissed-by-God heroine of your book, Andrea Bern, a single, childless, 39-year-old straight woman, a character created almost 50 years after Mary Richards, is still realistically struggling with and defying convention because she isn’t married.” On Jami Attenberg’s new novel.
Koestler the Dangerous Intellectual
The Times Literary Supplement profiles Darkness at Noon author Arthur Koestler as an iconic “Dangerous Intellectual”: “‘My analysis … is: one third genius, one third blackguard and one third lunatic …’”