“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
Maria Popova, who recently wrote a Year In Reading post for our series, has teamed up with artist Lisa Congdon on a new project concerning notable women working in art, science and literature. For each week in 2013, The Reconstructionists will present an illustrated portrait of one “trailblazing woman, along with a hand-lettered quote that captures her spirit.” Updates will also feature a “sort micro-essay about her life and legacy.” Up first in the series are Anaïs Nin, Gertrude Stein, Agnes Martin, and Hedy Lamarr.
“When gender’s not there, it sort of leaves room for us to focus on these other differences—and most of them end up being insignificant, too.” An interview with Emma Ramadan, translator of Anne Garréta’s Sphinx, on writing, translating, and understanding genderless characters.