“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
From the book I’m reading right now: “My mother’s output, starred and pseudonymous, appeared regularly in one of those little, irregular periodicals so limited in readership that they might be called incestuous. Subscription was by invitation only, and contributors would go into a rage over a misplaced comma and brood for days if their poems were understood.”
Colson Whitehead says “Wow, Fiction Works!“The LA Times has a clip from the movie version of David Foster Wallace’s Brief Interviews With Hideous Men, directed by The Office star John Krasinski. (via)Carolyn writes about the real-life connection between Walker Percy and Bruce Springsteen.The Village Voice shows off the final results of its highly scientific system of determining New Yorker cartoonists’ batting averages.Cambridge Information Group, which owns Bowker, AquaBrowser, ProQuest, Serials Solutions and RefWorks makes an investment in LibraryThing.Vote in The 2009 Tournament of Books Zombie Poll.A book that has turned out to be so wrong it has become a collectors item (check out the prices): The Bush Boom: How a Misunderestimated President Fixed a Broken Economy
There’s a reason Hemingway and Fitzgerald are usually thought of as being opposites on the masculinity spectrum. Hemingway, he of the grand works about boxing and bullfighting, is perhaps the patron saint of literary manhood, while Fitzgerald was often the definition of refinement. Yet their actual identities were a little more complicated than our images of them suggest. At The Paris Review Daily, a look at how they were thought of as “real men” — or not.
A white male poet recently revealed his controversial strategy of using an Asian pseudonym to place his poems, which were eventually selected for inclusion in the Best American Poetry anthology for 2015. Brian Spears writes for The Rumpus about the complications of diversity in publishing, Affirmative Action, and the ethics of poetry submission systems.
Out this week: The Betrayers by David Bezmozgis; A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett; Ballroom by Alice Simpson; Hello Mr. Bones & Goodbye Mr. Rat by Patrick McCabe; Rooms by Lauren Oliver; and How to Build a Girl by Caitlin Moran, who released an essay collection two years ago. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.