Out this week: The Season of Migration by Nellie Hermann; Uncle Janice by Matt Burgess; The Secret Wisdom of the Earth by Christopher Scotton; Driving the King by Ravi Howard; Against the Country by Ben Metcalf; God Loves Haiti by Dimitry Elias Léger; A Pleasure and a Calling by Phil Hogan; Wildalone by Krassi Zourkova; and Almost Famous Women by Year in Reading alum Megan Mayhew Bergman. For more on these and other new titles, check out our Great 2015 Book Preview.
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. “They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home.”
A mom sat her six-year-old daughter down in front of some classic books and asked her to guess the story based on the cover. The results are both charming and eerily accurate. I’m glad we at least now know what lies in the liminal space between Lev Grossman and kittens inspired by kittens.
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.
“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
We’ve already published a pair of great lists of gifts for writers, but I know more than one book lover (ahem) who would be thrilled to get this collection of vintage Penguin book cover postcards.
Christian Lorentzen wonders, in Book Forum, what the first OWS novels will be like. He anticipates them showing up next year, but I’m thinking we’ve already got at least two, though they were both published well before Occupy: Gary Shteyngart’s Super Sad True Love Story ought to fit the bill, and, of course, there’s that famous Melville story about Wall Street, but I’d prefer not to talk about it when I could just direct you to Hannah Gersen’s piece instead.
“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen’s Millions essay.