“My scant respect for the trade to which I belong (from the most ancient of academicians to the most youthful of libelists) derives from a childhood home in which I grew used to mistreating and misusing almost all the seminal texts from the history of culture.” Javier Marias on the dangers of growing up with too many books.
Haruki Murakami's Norwegian Wood has been dropped from one New Jersey school's syllabus due to "some words and language that seemed to be inappropriate as far as the parents and some of the kids were concerned." His publisher A. A. Knopf has issued a statement in response.
"When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own." An excerpt from Borges's conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
Want to learn filmmaking from a self-proclaimed "soldier of cinema"? Then sign up for a class with Werner Herzog. The enigmatic director, whose films include Grizzly Man and Fitzcarraldo, announced he'll be teaching a course in the summer through the online provider Masterclass.
Andrew Phelps interviews Sarah Wolzin, director of MIT's new Open Documentary Lab, which "brings technologists, storytellers, and scholars together to advance the new arts of documentary." The Lab, according to Phelps, is "part think tank, part incubator for filmmakers and hackers."
Make of this what you will, but when Lorde first read Year in Reading alum Wells Tower’s Everything Ravaged, Everything Burned, it struck her as “the best collection [she’d] ever read.” Her interview with Tavi Gevinson in Rookie reveals that she also loves Raymond Carver and Claire Vaye Watkins.