What do you do if you’re Leo Tolstoy, 20 years old and being treated in isolation for venereal disease? Start a diary, of course. Because you’re Tolstoy, you’ll probably use this diary to make a plan of your day, and then comment on how your actual activities line up with your ideals (“not quite,” usually). And, to be as Tolstoy-ish as possible, why not rate all your actions on a general moral scale? An example: “Arose somewhat late and read, but did not have time to write. Poiret came, I fenced, and did not send him away (sloth and cowardice). Ivanov came, I spoke with him for too long (cowardice). Koloshin (Sergei) came to drink vodka, I did not escort him out (cowardice).” And so on. For some long-term perspective, pair with The Millions‘s perennially popular “Tolstoy or Dostoevsky? 8 Experts on Who’s Greater.”
“I’ve been writing about ‘real’ characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.
“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.