Many writing guides feature long explainers that detial how to craft a great plot. They’ve turned the phrase “rising action” into a buzzword in many classes. At Page-Turner, a short comic illustrating major plots that don’t work, including one in which the protagonist “ignores the problem until it goes away.”
The Pointless Adventure
Only Connect
Recommended Reading: Anything that Vivian Gornick writes. Here’s an essay from The New York Times on how literature ages and rereading E.M. Forster’s Howard’s End. Our own Lydia Keisling also wrote a fantastic piece on the Forster classic.
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The End of Something
Maybe we can’t have it all, says Rachel Shteir at the Chronicle of Higher Education, but can’t women at least have another Feminine Mystique?
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Uncommon Language
Writing about a foreign country is always a dodgy proposition, but it seems to be especially thorny when English people and Americans take on their transatlantic brethren. Looking over two contributions to the genre by English writers — Terry Eagleton’s Across the Pond and A.A. Gill’s To America With Love — Carlin Romano concludes that neither manages to “teach us something new about ourselves.”
This Calls for a (Left-Handed) High Five
People laugh when I tell them: everybody’s born right-handed, but the best overcome it. But now, take heed my Southpaw brethren. Science may be on our side. One recent study indicates that left-handedness may lead to “a boost in a specific kind of creativity—namely, divergent thinking, or the ability to generate new ideas from a single principle quickly and effectively.”
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Draw Hard
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.