This week saw the release of The Jaguar’s Children, a novel set on the Mexican border that draws on author John Vaillant’s experience in his wife’s home state of Arizona. At The Walrus, Sasha Chapman provides more background on Vaillant in her review of the book, which notes the importance of jaguars in Mexican symbology.
The Other Down Under
James Wood In Person and As a Critic
Anthony Domestico, who studied under James Wood at Harvard, turns in a review of the critic’s latest non-fiction collection, The Fun Stuff. Aside from penning an astute review of the book, Domestico draws from his firsthand experience with Wood to pepper his write-up with details such as this: “While puzzling over a complex passage, he would vigorously rub the top of his head, as if hoping to coax interpretive brilliance from his bald spot like a genie from a lamp.” (Bonus: our own Lydia Kiesling takes a look at Wood’s latest for Bullet Media.)
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Titling Publishers
How did Random House get its name? A joke. Book Riot gives the stories behind eleven publishers’ names. You could also read a piece on how writers title their novels.
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Kazuo Ishiguro on the Joys of Repetition
Kazuo Ishiguro discusses his newest book, Klara and the Sun, and how it echoes themes he has often explored in his previous work.
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Writing the Body
For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”
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Writing the Body
Recommended Reading: E.V. de Cleyre explores the presence of the body in Maggie Nelson’s Bluets, Lidia Yuknavitch’s The Chronology of Water, and Ta-Nehisi Coates’s Between the World and Me.
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