This week saw the release of The Jaguar’s Children, a novel set on the Mexican border that draws on author John Vaillant’s experience in his wife’s home state of Arizona. At The Walrus, Sasha Chapman provides more background on Vaillant in her review of the book, which notes the importance of jaguars in Mexican symbology.
“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
Reif Larsen’s “The Crying of Page 45” appears in this month’s issue of The Believer. This clever, inventive essay is excerpted from the book I co-edited The Late American Novel: Writers on the Future of Books. You can get a taste of the piece at The Believer website, but the full essay in all its illustrated glory is available in the print magazine as well as in, of course, the book.