In literature and film, there are epic heroes, Campbellian heroes, romantic heroes and tragic heroes. Less well-known is the Byronic hero, whose personality is rakish, extravagant and otherwise similar to Lord Byron. At the Ploughshares blog, a literary blueprint of the archetype. You could also read Jennifer Egan on Byron’s Don Juan.
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
Noting the rise of the television recap, the folks at The Paris Review Daily, aided by promising early reviews by Teddy Roosevelt and T.S. Eliot, are recapping Dante’s Inferno. Their suggestion for readers looking to follow along? Sit down with a Canto every Sunday at 9 p.m.
If you haven’t watched it already, you should now. Lin-Manuel Miranda reads a sonnet in honor of his wife and the victims of the Orlando massacre at the Tony Awards. “And love is love is love is love is love is love is love is love cannot be killed or swept aside.”