“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
From Hunger Games‘s Katniss to Divergent‘s Tris, today’s YA heroines are confident, intelligent, powerful, and always skinny. At The Atlantic, Julianne Ross argues that this scrawny stereotype ends up belittling the heroines’ independence and strength. “Just as women are expected to be sexual but not slutty, pure but not prudish, heroines should be strong but not buff.”
Despite what we might think, smartphones aren’t destroying good reading habits. Rather, smartphones are enabling access to books in developing countries, according to a new study. They allow readers to find books in remote parts of the world without libraries and at a cheaper price.