“By now, you are probably asking yourself, Did these two ever talk about anything serious? Of course, we did. We talked about how writing a poem is no different from taking out a frying pan and concocting a dish out of the ingredients available in the house, how in poetry, as in cooking, it’s all a matter of subtle little touches that come from long experience or are the result of sudden inspiration.” Charles Simic writes movingly about his friend, the late poet Mark Strand, and their various schemes, from buying palazzos to founding a gastronomic poetry movement, for The New York Review of Books.
Simic on Strand
Lahiri on Salter
As part of a Paris Review series of essays celebrating James Salter, Jhumpa Lahiri writes “For over half my life, I have returned repeatedly to Light Years.”
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“A Novel” Reminder
Eliza Brooke for Vox explains why the seemingly obvious phrase "A Novel" still appears on book covers and spines today.
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Charles Wright is Our New Poet Laureate
You can get acquainted with Charles Wright, the nation’s newest Poet Laureate, by checking out interviews he did with StorySouth and The Paris Review, and also by reading his work – much of which can be found online. Might I suggest this poem, which was published by the VQR?
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The Future Is Now
Back in 2013, Ted Gioia wrote a piece for The Millions about an old sci-fi novel that correctly predicted the future. Since then, he’s embarked on an ambitious project that expands on his interest in sci-fi, exploring how the most radical sci-fi writers of the sixties paved the way for much of modern fiction. As he puts it, “I focus on this era in the history of sci-fi because it laid the groundwork for one of the most important developments in current-day fiction.”
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Speaking with Spiegelman
Art Spiegelman spoke with NPR’s Weekend Edition about his issues with depth perception, his work habits, his changing art interests, and how Maus came about. Bonus: Charles-Adam Foster-Simard checked out the Vancouver Art Gallery’s Spiegelman exhibit last summer.
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