When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.
For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
New this week is Sarah Vowell's Unfamiliar Fishes (reviewed here) along with new story collections from E.L. Doctorow (All the Time in the World) and Jim Shepard (You Think That's Bad). Also new this week is Kate Atkinson's latest Jackson Brodie mystery Started Early, Took My Dog and Paul McEuen's debut mixing "science and suspense" Spiral. Out in paperback is Millions Hall of Famer A Visit from the Goon Squad by Jennifer Egan.
A few weeks ago, I wrote about an event at which Don’t Kiss Me author Lindsay Hunter teamed up with songwriter Holly Miranda for an interesting reading-cum-concert. Now, at The Nervous Breakdown, the writer conducts an interview with none other than herself.
Why should a college student major in English? It’s a question with hundreds of answers, but one of the most common is that reading, more so than other activities, makes you a better person. It sharpens your mind and hones your sense of morality. But what if this comforting idea -- as close as you can get to a conviction held by all writers -- has little to no basis in reality?