There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
“On Stage as On Paper”
DFW Festchrift at The Quarterly Conversation
The new issue of The Quarterly Conversation features a symposium on the work of the late David Foster Wallace, featuring essays by Edie Meidav, Lance Olsen, and Andrew Altschul…plus Scott Esposito‘s welcome defense of Infinite Jest‘s canonization.
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The British Library Goes Digital
The British Library is launching a new iPad app that will eventually feature over 60,000 19th century books.
And “Crude”
Over at The Atlantic Wire, Jen Doll catalogues the many words first coined by Geoffrey Chaucer, which includes such everyday staples as “dotard,” “fattish,” “caterwaul” and “twitter.”
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Novelistic Ambitions
David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
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Project Yosemite
Sheldon Neill and Colin Delehanty’s Project Yosemite is “an ongoing adventure to timelapse Yosemite in a extreme way.” Their first video is (ahem) extremely beautiful.
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Dark Investments
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
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