There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
“On Stage as On Paper”
Hiding Behind the Powerful
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.
The Old Town
“What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families.” On Philip Roth and Newark, NJ.
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How Do You Like Your Copy?
Lit Hub has brought Benjamin Dryer and Mary Norris together to discuss their love of editing, copy mistakes writers often make, and more.
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And Hobbes Appears Where, Exactly?
At HTML Giant, Mike Kleine writes a 25-point review of The Life of Pi, by Yann Martel. If you need a refresher, you might want to check out our rundown of tiger-based literature.
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Not Literary, But Awesome
Russian scientists claim they’ll be able to clone a mammoth “within 5 years.”
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David Shields on the Colbert Report
Watch David Shields on the Colbert Report last week — Colbert: “Are you the Vanilla Ice of novels?” Shields: “Precisely.”
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Willa Cather on Mark Twain
An early example of the literary take-down. Willa Cather on Mark Twain: “He is not a reader nor a thinker nor a man who loves art of any kind.”
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