“Driving hundreds of miles at a time… uncorked the forgotten joys of my undergraduate years—chief among them the fantasy that simply buying a book guarantees that it will get read.” Ted Trautman on going on a book-buying binge during a cross-country road-trip.
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
Excerpts from Anthony Michael Morena’s The Voyager Record: A Transmission are now available online in Ninth Letter. Morena combines flash fiction and prose poetry in his record of the phonograph record that was included on the Voyager spacecrafts. The record plated with gold contained 27 songs, 118 images, and greetings in 55 languages, and was meant to summarize all life on Earth for the extraterrestrials.
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)