Recommended reading: “Olikoye,” a new short story from Chimamanda Ngozi Adichie.
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
There are many possible answers to the question “where do you write?”, but one of the strangest, and most unexpected, has to be “I don’t know.” At The Rumpus, Brendan Constantine admits that he doesn’t write in any one place, and that his memory for where he’s written before is “completely unreliable.” We surveyed our own staff a couple years ago to see how they answered the question.
The Washington Post offers a long profile of the still underappreciated Edward P. Jones. We learn he hasn’t put a word of fiction to paper in four years but has been writing in his head. “‘I write a lot in my head,’ he says. ‘I’ve never been driven to write things down.'” (via @keelinmc)
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.