You may have heard that Vulture editor Adam Sternbergh was nominated for an Edgar Award for his book Shovel Ready last week. Now, to give Vulture readers a taste of his literary style, he’s published an annotated excerpt of the sequel Near Enemy, which came out earlier this month. As the introduction puts it, the excerpt includes “thoughts on history’s first murder, the dubious appeal of Pepé Le Pew, and just how crazy New York apartment locks used to be.”
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)
"Time goes all stretchy in the Twittersphere, just as it does in those folk songs in which the hero spends a night with the queen of the faeries and then returns to find that 100 years have passed and all his friends are dead…" Margaret Atwood talks Twitter with Robert McCrum.
What would happen if you had a clock to countdown the exact number of days until you died? Our own Mark O'Connell discovers the paranoia of having the Days of Life app measure his mortality at The New Yorker. "Days of Life functions like a reductio ad absurdum of the logic of personal productivity. The pie chart becomes a special way of being afraid: an image of the self as a micro-economy of numbered days." For a more uplifting version of O'Connell, check out his 2013 Year in Reading post.