Flip through the blurbs on a recently published novel and you’re likely to come across a ton of stock phrases. Gary Shteyngart parodied this repetition — as well as other facets of the blurb-industrial complex — in a bit of improv last year. At The Morning News, Christine Gosnay writes about a poem that gave her a genuinely new reaction: the sense that she was “more than one person.”
Multiplicity
Platform Proliferation
The Atlantic points out another consequence of the digital revolution: books now come in multiple formats at dozens of price points. A symptom of publisher panic? A boon for readers?
Annals of great profile writing
If you're looking for some midweek longreads, here are two excellent profile pieces: Emily Nussbaum's unabashed enthusiasm for Lena Dunham as HBO's Girls gears up for release, and Adam Sternbergh on Mark Leyner, whose The Sugar Frosted Nutsack is out today.
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Tuesday New Release Day: Gartner, Talib, McLain, Lively
Out today are Zsuzsi Gartner's Better Living Through Plastic Explosives, which was shortlisted for Canada's top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.
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The New Gay Novel
“Garth Greenwell’s project with What Belongs to You is to remind us how illicit cruising and anonymous sex figure within the modern gay identity. As the gay marriage movement helps sanitize (and de-sexualize) queerness, Greenwell brings the dark and sordid elements of sex and promiscuity back into sharp relief.” Over at Pacific Standard, Nathan Smith writes on the new gay novel. Pair with the Millions review of Greenwell’s book.
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The Sleepy Short Story
Recommended Reading: Louise Erdrich's new short story in The New Yorker, "The Big Cat," which is about snoring among other things. "The women in my wife’s family all snored, and when we visited for the holidays every winter I got no sleep." Deborah Treisman also interviewed Erdrich about the story. "I like the idea that this story reads like a fairy tale, but there is no moral at all, unless it’s Beware of Snoring Cats. Nothing I write ever has a moral."
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