‘The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return.” Dana Stevens on watching movies with, and like, a child.
“This is how he justified what he did even as he knew what kind of parent he’d become, the kind that used to make him gag as recently as two months ago. The ones who blithely assumed their online friends were gluttons for punishment. Here’s my baby lying on his back! And here’s my baby also lying on his back! And how about this one: blurry baby on his back! Good God, the vanity of it all, the epic self-centeredness. He knew all this, and still he uploaded eleven pictures of Brian.” An excerpt of Victor LaValle’s new novel The Changeling. (You could also read our interview with the author from last year.)
Out this week: Thomas Murphy by Roger Rosenblatt; The Deep Sea Diver’s Syndrome by Serge Brussolo; Weathering by Lucy Wood; Remains by Jesús Castillo; and What Belongs to You by Garth Greenwell (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
In 2013, Mo Yan became China’s first resident Nobel Laureate in Literature, which prompted a huge swell of interest in his books in the West. In the Times, Janet Maslin reviews Frog, his latest novel to get an English translation. Sample quote: “Mo Yan, whose real name is Guan Moye, says everything he needs to about the Cultural Revolution with a scene in which Tadpole and other schoolboys eat coal and claim to find it delicious.” You could also read Alan Levinovitz on modern Chinese literature.