“Life around the pool”

Tomorrow the Root is launching its short story fiction section, ‘It’s Lit’. If you are a black writer you have a chance to be featured as long as your story is less than 10,000 words. If your story is chosen to be featured you receive $200. Submit your short story here.

Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.

In 1913, four years before the Russian Revolution, Tsar Nicholas II made the now-baffling claim that a writer named Teffi was the only major Russian writer. At the time, however, his endorsement made sense, because everybody in Russia, from royalty on down, read Teffi’s work and “delighted” in it. Until the revolution, at which point she was consigned to oblivion. William Grimes writes about a new collection of her stories.

It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.

Everyone knows that Joyce grew up in Dublin, but few people know that he spent much of his life in Italy. At Open Letters Monthly, you can read a long piece on his years in the city of Trieste. (You can also try your hand at our quiz.)