So you got a new Kindle for Christmas, and you’ve loaded it up with all our ebook recommendations? That’s great, but it may not be enough. Best to add a few ebooks to impress anyone who happens to come across your e-reader, just in case, and McSweeney’s has just the list.
Kindle to Impress
Mick Jagger on Keith Richards’ New Book
You’ve Probably Never Heard of Him
Is Mark SaFranko the greatest American writer you’ve never heard of? We don’t know, but 3:AM Magazine makes a strong case in this interview with the author who they call an heir to Charles Bukowski and John Fante. Now you’ve heard of him, at least.
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Some links: Penguin Podcast, Lawyers on Google Print, Chicago Literature
Penguin Books UK has started a podcast. I’ve added it to my Literary Podcasts post. (via)Law blog Groklaw has a good post explaining the Google Print project and the controversy surrounding it, and Lawrence Lessig has news of a program coming up at the New York Public Library on November 17 called “The Battle Over Books: Authors and Publishers Take on the Google Print Project.”Golden Rule Jones has a list of this year’s Chicago fiction, and at Pete Lit, Pete tells us about Chicago Noir, a collection edited by Neal Pollock with stories by Adam Langer, Kevin Guilfoile and others.
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August: Osage County to Film
Tracy Letts’ outstanding play August: Osage County was tapped for a movie adaptation back in 2010, but the project seemed to fall by the wayside shortly after. Then, last week, Bob Weinstein (of The Weinstein Company) announced the adaptation will begin filming this fall. It’ll star Meryl Streep and Julia Roberts. You can read an excerpt from the play on our Tumblr.
Simone de Beauvoir’s Abandoned Novel Gets a Second Life
Three decades after Simone de Beauvoir's death, her abandoned novel, The Inseparables, will be published, thanks to de Beauvoir’s adopted daughter, Sylvie Le Bon de Beauvoir.
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Miss Masterpiece
“The blackly comic energy of Nathanael West’s Miss Lonelyhearts—its caustic ebullience, the strange buoyancy of its suffering—is a remarkably American achievement, a kind of death-dance capered on the corpse of a vividly rendered early 1930s Manhattan.” On Miss Lonelyhearts, the darkest American masterpiece.