“Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. … America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway.” Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week’s New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
Great, No, Greatest
Coetzee Archive to the Harry Ransom Center
The Harry Ransom Center in Austin, Texas made headlines when it acquired the David Foster Wallace archives. Now it’s added another high profile author to its collection: J. M. Coetzee.
Dear and Dirty
Haven’t read our own Mark O’Connell’s great new essay at Slate? To mark the hundredth anniversary of Dubliners, Mark paid a visit to the James Joyce House, which led him to reflect on life in his native city. “If you live in Dublin, if you are yourself a Dubliner,” he writes, “no matter how many times you read the book, it will always reveal something profound and essential and unrealized about the city and its people.”
The Art of Fiction No. 207: Jonathan Franzen
“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.
Ponyboy Breaks Into Song
A musical adaptation of S.E. Hinton's The Outsiders is scheduled to debut in Chicago this summer, directed by Liesl Tommy and written by Adam Rapp.
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Step Aside Shakes
Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
Tomas Tranströmer and Robert Bly
Robert Bly and Tomas Tranströmer discuss their lives and craft in a series of letters.
I “Love” This.
I’m glad someone started this blog of unnecessary quotations marks for me. (via @narrativemag).
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