“Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. … America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway.” Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week’s New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
Great, No, Greatest
Cultural Confusion
Over at Broadly, MariNaomi talks about heritage and her graphic memoir, Turning Japanese. Pair with Mia Nakaji Monnier’s Millions interview with the author.
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The Birth of the Ellipsis
A Cambridge professor has identified the earliest use of the ellipsis in English literature. Find out more at The Guardian. Sam Anderson reminds us that ellipses are good in moderation through an examination of Dan Brown’s Inferno.
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The Old Media Green
In case you were wondering why "old media" companies continue to cling to print: Based on ad revenue, a print reader is worth $709, while an online reader is worth just $46. (via)
The Shakespeare Oxford Society
Unsurprisingly, the Oxfordian theory-inspired blockbuster Anonymous is ruffling some feathers in college English departments. The "Shakespeare Oxford Society," of course, has a rejoinder.
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