Recommended reading: On “Homer’s Crowdsourced Genius.”
“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
Since we’re deep into the season of “year end” lists, here’s a list of ten great novels written by women that didn’t get a lot of critical attention this year. That isn’t to say that aren’t a ton of other books deserving of this distinction, just that these are some really good ones. Go list-crazy and pair with our own Year in Reading series.
PEN America has announced the longlist for its 2017 Translation Prize, including Deborah Smith for Han Kang’s The Vegetarian (see our review here), Carlos Rojas for Yan Lianke’s The Explosion Chronicles, and Victoria Cribb for Sjón‘s Moonstone: The Boy Who Never Was. (We profiled Sjón’s work at length a few years back!) The winner will be announced in February of 2017.
We’ve published a fair number of pieces about the import of book covers. You may have read one of our US-UK book cover battles. Over at The Awl, Amanda Pickering takes a look at one of the stranger aspects of book design: the animals that appear on the covers of programming books.