Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
I have an essay in the September issue of Poets & Writers on "The Social Value of MFA Programs." Sadly, P&W deems the piece too valuable to give away for free on the Web, so if you want to read it, you'll have to go to your local newsstand and buy a copy.
Francis Spufford’s fictionalized book Red Plenty looks to the 1950s-1960s “cybernetics” initiative to answer one of the main questions about the USSR: “Could the Soviet project to build communism have succeeded, or was it doomed to failure from the start?” In his review for The Hoover Institution, Marshall Poe contends the latter.
This independent bookstore in Alabama has a novel concept–selling only signed copies of books. Alabama Booksmith is just one of many independent bookstores looking for new ways to survive in the world. This Millions interview with Janet Geddis, the founder of Avid Bookshop in Athens, Ga, is both hopeful and inspiring.
Mitt Romney's debate remark about where he finds women when he needs to fill some jobs has inspired hundreds of witty product reviewers on Amazon.
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it's too interior or there's not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don't know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, "Is American Literature Too Dark for TV?"