As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”
PEN World Voices, the great annual festival of International Literature, unveils this year's lineup for the week of April 26, in New York and elsewhere. Highlights include Norman Rush, Patti Smith, László Krasznahorkai, Rodrigo Frésan, and Sherman Alexie's "Freedom to Write" lecture.
Sudoku getting too easy, you say? Try making (or, rather, writing) one instead, like this nine-paneled comic that works across, down, or on a diagonal.
"Every culture has its monsters," and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
The Economist gives a succinct explanation of "why books come out in hardback before paperback," but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist's article with Nichole Bernier's Millions piece on "The Point of the Paperback."