Recommended reading: Year in Reading alum Leslie Jamison writes about the pleasures and “democratic awe” of Whitman‘s Specimen Days. Pair with our own Michael Bourne‘s “Embracing the Other I Am: or, How Walt Whitman Saved My Life.”
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting "trigger warning" labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, "You might as well put a label on English literature saying: warning – bad stuff happens here."
Brooklyn Poets caught up with Danniel Schoonebeek in order to discuss one of his poems, hear about his idea of “a good day,” and take his recommendations for places to read, write, and explore in Brooklyn. I’ll tell you this much: the man knows how to pick a good happy hour.
On the heels of a New Mexico school district banning Neverwhere because a mother considered it "R-rated," Neil Gaiman delivered a lecture for the Reading Agency about the importance of libraries and reading for children. "It's tosh. It's snobbery and it's foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different," he said about banning books.
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we're on the subject , here's what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.