Recommended reading: Year in Reading alum Leslie Jamison writes about the pleasures and “democratic awe” of Whitman‘s Specimen Days. Pair with our own Michael Bourne‘s “Embracing the Other I Am: or, How Walt Whitman Saved My Life.”
Abundance and Awe
FictionDaily
FictionDaily tales a page from Arts and Letters Daily and posts links to pieces of fiction found online in three different categories (long, short, and genre) every day.
Remembering Gregory Rabassa
Gregory Rabassa, literary translator and professor at Queens College, died this past week. Rabassa helped introduce Gabriel García Márquez’s One Hundred Years of Solitude and Julio Cortázar’s Hopscotch, among others, to English-language readers. He was 94 years old.
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Better Looking than a Breakfast Burrito
Do you want to start a small press? Take advice from Spencer Madsen of Sorry House. In his article “I Made the Mistake of Starting a Small Press and So Can You” at The Toast, Madsen recommends making the book look “better than a breakfast burrito” and listening to 2 Chainz to get started. Pair with: Our article on how Curbside Splendor became a small press to watch.
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Reading Rainbow returns!
LeVar Burton is relaunching Reading Rainbow! Though in a new form: the show that aired on PBS for 26 years will be available as an iPad app, which you can preview at engadget.
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Revisiting the Archive
Recommended Listening: Esquire has a new podcast on classic stories from their archive. The latest installment features Nick Flynn on F. Scott Fitzgerald’s The Crack-Up, which first appeared in the magazine in 1936.
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Why So Socialist?
Have you seen the infamous image of Obama in Heath Ledger-style Joker makeup? (Image care of Bedlam Magazine). See the artist, unmasked, at the L.A. Times.
Do They Get Screeners?
Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
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