Recommended reading: Year in Reading alum Leslie Jamison writes about the pleasures and “democratic awe” of Whitman‘s Specimen Days. Pair with our own Michael Bourne‘s “Embracing the Other I Am: or, How Walt Whitman Saved My Life.”
Abundance and Awe
“Reigning queen of the Twittersphere”
●
●
New Directions in The Coffin
The Coffin Factory, a “magazine for people who love books,” interviews New Directions’ Barbara Epler and Tom Roberge about “publishing and finding bold, new experiments in literature from around the world.” (via)
●
●
Lydia Davis, Ctd.
Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
●
●
The Hardest Goodbye
“And when she champions authors, she explains specifically what makes their work special. No vague parroting of Kakutani reviews here. She gives you the straight dope.” How do you say goodbye to your favorite bookstore?
Before “Once Upon A Time”
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.
●
●
Poets on Poets
Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, “a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.”
●
●