Recommended Reading: Joel Landmine’s Nervous Breakdown self-interview.
“Marlon James’s management of the voice and the paragraph isn’t what you’d call unpretty, and he’s good at having it both ways on a larger scale too. Reptilian black-ops masterminds out of a Robert Stone novel as well as bumbling CIA bureaucrats, baroque deaths in the bush and casual killings by the side of the road, historical and magic realism, sex and violence and a more ‘sophisticated kind of art’: the guy’s got it all.” This review of James’ A Brief History of Seven Killings from The London Review of Books is well worth the read.
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)
What happens when two magazine writers publish stories on the same topic within a month of each other? We get to read some of the best long-form journalism of the year. Both Esquire’s Chris Jones and The Washingtonian’s Garrett M. Graff wrote about what it was like to be on Air Force One after the Kennedy assassination. Jones’ “The Flight From Dallas” hits 7,600 words, but Graff’s “Angel is Airborne” totals 18,000. Save some time to read both because they’re equally gripping and uniquely told narratives.